Parasite: Sense of Worth and Style of Move

nbsp;A movie is not just the record for a role, or for some time or period, in contrast, it has been mixed with the personal memories and understandings of the director. So the camera has recorded the life of a role as well as the world he lives in; and through the lens we as viewers have seen how this perspective of the role change into of the perspective of the director. So what we can see is a double world. And the meaning that the director through his work creates for some image or sound is just what we call as ‘style’.
In the film quot;Accattonequot;, there is some sympathy and understanding existed between the director Pasolini and the role Vittorio created by him. I think this is a return to humanism. The director just as a poet or a writer, only having understood the multi-faceted versatility of the role created by him can present them completely.
Look on my limited understanding, the Italian directors are especially good at describing tragedy and comedy. The neo-realism works in Forties years and the later ‘cinema of poetry’, are still not old-fashioned until now, while the contemporary moviedom are more willing to return to the surrealism. When I watch the film quot;Accattonequot;, I would feel anxious and depressed from time to time. No matter it is the small bludger after war in Italy, or the students who try to be autocephalous in a strange land, all have to face the conflict between their own sense of worth and the mainstream culture in social: the difficulty is lying in to resist pressure and to adhere to his own confident, but rather, they often do not know what their own faith is. And when the sense of worth full of fragmentation celebrates its doomsday, the subject can only choose to die.

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